No French Presidency is complete without a legacy-defining monument; the Quai Branly, which opened in 2006, was Jacques Chirac’s. Jean-Pierre Filiu, who has written extensively on Syria, believes that Sattouf’s success is a tribute to a French “empathy for the plight of real-life Arabs, rather than the ‘Arabs of the future’ envisioned by Qaddafi and Assad.” Olivier Roy, a French authority on Islam, told me that Sattouf can’t help being “enlisted” in local battles, simply because he’s one of the few artists of Muslim origin who have achieved fame in France. (Sattouf writes, “I tried to be the most aggressive one toward the Jews, to prove that I wasn’t one of them.”) Another pastime was killing small animals: the first volume of “The Arab of the Future” concludes with the lynching of a puppy. Volume 5 . Riad Sattouf: emancipating oneself through the comic strip. We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. Un roman graphique où Riad Sattouf raconte sa jeunesse dans la Libye de Kadhafi et la Syrie d Hafez al-Assad. The attackers, brothers of Algerian ancestry who were born in Paris, said that they were avenging the Prophet Muhammad for the magazine’s mockery of the Muslim faith. In one strip, a woman complains that she can no longer wear her miniskirt to work because she’s being hit on by Islamists praying outside her office. In 2010 ontving hij voor Les Beaux gosses de César in de categorie Beste Film. 144-45). Media in category "Riad Sattouf" The following 10 files are in this category, out of 10 total. His older brother, who never expected him to return, had sold much of his land. The more he tried to minimize his interest in the Arab world, the more he talked about it, usually in the form of comic riffs. Yves Gonzalez-Quijano, a French scholar of the Arab world, told me that the book’s appeal in France “rests on an unconscious, or partly conscious, racism,” paraphrasing Emmanuel Todd’s thesis about Charlie. But this was no ordinary couple—she was quiet and bookish, from a rural town in Brittany, while he was a flamboyant Pan-Arabist from Syria who was out to change the world. His blond hair turned black and curly, and, he recalled, “I went from being an elf to a troll. She’ll be driving six white horses, she’ll be driving six white horses, she’ll be driving six white horses when she comes. He stayed there until last year, when he set up a studio at home. Furthermore, what Sattouf does say about himself can be highly contradictory. This volumes takes us into Sattouf's tumultuous adolescent years as he struggles to reconcile his parents' diverging views along with their respective cultures. I’m not a family guy. C’est pas incroyable ? Sattouf has already proved that he is a gifted illustrator in his previous work. For our first meeting, Sattouf proposed that I come to a café near his apartment, not far from the Place de la République, where he lives with his partner—a comic-book editor—and their son. Photo Illustration by Olaf Blecker for The New Yorker, “She’ll be driving six white horses when she comes. A couple of years later, after the birth of Sattouf’s brother, Abdel-Razak got a job teaching in Damascus, and moved the family to Ter Maaleh, the village where he’d grown up. Are you a family guy? Riad Sattouf is striptekenaar en cartoonist. Will be used in accordance with our Privacy Policy. Riad Sattouf's graphic memoir is an indictment of the adult world. The most famous couple in performance art made the ‘Imponderabilia’ work in Bologna, Italy, in 1977 – a groundbreaking performance in many ways, not least in terms of re-imagining the role of the audience. The only book about the Middle East that I could see was one on Islam by Bernard Lewis. Meine Beschneidung: Sattouf, Riad, Budde, Martin: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen kunnen aanbrengen, en om advertenties weer te geven. When I rescheduled a meeting with a wealthy Algerian businessman, Sattouf said, “Don’t go back to Algeria for the next forty years! His appearance had insulated him from overt racism in France, his sole experience of which was when, after winning an important comics prize in 2010, he received letters calling him a “dirty Arab.” He said that the very word “Arab” had become highly charged in France; now that the pan-Arabist project is no more, it is purely a racial epithet: “ ‘Arab’ is a word you only hear from racists, as in ‘Ah, those Arabs!’ ” In that sense, the title “The Arab of the Future” has what the sociologist Eric Fassin characterized as “a nostalgic air”: “People in France don’t talk about Arabs; they talk about Muslims.”, In one of our early conversations, Sattouf described his father as having had a “complicated attraction-repulsion relationship to the West.” It often seemed that Sattouf’s relationship to his roots was just as conflicted. When the Sattouf family visits the ruins of Palmyra, there is no mention of its notorious prison, which was destroyed by the Islamic State last May, because Sattouf’s father never mentioned it, and Sattouf wanted to “convey the ignorance of childhood.” The events that reshaped Syria—the death of Hafez al-Assad, the rise of his son Bashar, the uprising and the civil war—are never even hinted at in the first two volumes, which cover the years 1978-85. Ad Choices. Although he is a wry observer of human folly, he said that he could not bring himself to “draw something openly mocking.” He told me that he wasn’t sure whether it was responsible to reprint the Danish cartoons but that he “found them very badly done as drawings.” Drawing the Prophet, he said, “is a personal taboo. Irène Jacob, actrice My cousins and I used to talk about what he might look like, but I wouldn’t do it. After the January, 2015, massacre, Sapin told me, “I was very afraid for Riad.”, Yet Sattouf’s relationship with Charlie was never close: it was a professional alliance, not a political one. The effect of this omission is one of time travel, back to the vanished future of pan-Arabism. Riad Sattouf Weighing in at 282 pages, the fourth installment of Riad Sattouf's comics memoir of growing up in the Middle East and Europe is the heftiest yet. Sattouf loathes nationalism and is fond of the saying, paraphrased from Salman Rushdie, “A man does not have roots, he has feet.” He says that he feels “closer to a comic-book artist from Japan than I do to a Syrian or a French person.” Yet he has become famous for a book set largely in two countries where some of the most violent convulsions since the Arab Spring have unfolded. Riad Sattouf, son of a Syrian father and Breton mother, was born in Paris. We can’t hear what the other person is saying, but he seems to be either belittling the atrocities or hinting that they were part of a larger conspiracy. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. The most recent volume is the fourth in the series. Daar loopt nog tot maart een tentoonstelling over zijn werk en leven, of toch dat deel van zijn leven dat de fans al via de stripreeks "De Arabier van de toekomst" konden ontdekken. Dus ligt een autobiografie in stripvorm voor de hand. A French-Lebanese friend of mine, the screenwriter Joëlle Touma, attributed this to his childhood in Syria. Although Sattouf’s work is confessional, in person he is guarded; even his closest friends describe him as secretive. He read no histories of Syria, barely looked at family photographs, and imposed a rule on himself: never to stray from his childhood perspective, and to write only about what he knew at the time. Sattouf says he felt no less out of place in school in France—and scarcely less bullied—than he had in Syria. That portrait has made “The Arab of the Future” a very popular book among Arab exiles and expatriates in France. Not since “Persepolis,” Marjane Satrapi’s memoir of her childhood in Khomeini’s Iran, has a comic book achieved such crossover appeal in France. His early drawings were hyperrealist, feverishly detailed and painterly: he compared them, somewhat dismissively, to swaggeringly virtuosic guitar solos. What he’s written is very personal, a kind of self-analysis, really. “I’m a little paranoid,” Sattouf admitted at one point. To revisit this article, select My⁠ ⁠Account, then View saved stories. Subhi Hadidi, a leftist member of the opposition who fled Syria in the late eighties, told me, “Sattouf is faithful to what he sees, and he doesn’t beautify reality.” (He had visited Sattouf’s village and found it “full of militants—Communists, Trotskyists, and Muslim Brothers.”) When I asked the Syrian-Lebanese poet Adonis, who has been more critical of the rebels than of the regime, what he thought of Sattouf, he said, “Sattouf describes things as they are.” I had dinner with a group of Algerian intellectuals who grew up in socialist Algeria, under the rule of Colonel Houari Boumédiène, and who told me that Sattouf might as well have been writing about their childhood. Taken from what Riad Sattouf has seen himself on the metro, a taxi, and on the side of the street, each comic stri Filled with terrible people, youth who want to be "gangsta", couples who will NOT stop kissing each other in public, and adults who will stop at nothing to criticize their children, La vie secrete des jeunes is a compilation of the best and worst of French life. Read More Posts navigation. © 2020 Condé Nast. He told me that the first and only time he’d set foot in the Arab world since he left Syria was a weekend in Marrakech a few years ago. Then there was his name. He had told various people I interviewed that his father kidnapped his brother and took him back to Syria, where the brother later joined the uprising against Assad; that his father had a mystical epiphany while making the hajj to Mecca; and that he later committed a terrible crime against the family. Riad Sattouf (1978), zoon van een Syrische vader en een Franse moeder, werd geboren in Parijs, maar bracht zijn jeugd door in Algerije, Libië en Syrië. Sattouf’s parents met in college, fell in love and got married. “If I had written a book about a village in southern Italy or Norway, would I be asked about my vision of the European world?” he said. Après une éducation musulmane dans une école de village, il est parachuté en France et découvre l'Occident. Le réalisateur, scénariste et auteur-dessinateur de BD, Riad Sattouf, est l'invité d'Ali Baddou à l'occasion de la parution du 4ème tome de la série "L'arabe du Futur" (éditions Allary). He went on, “Because he’s part Arab, everything he says becomes acceptable, including the most atrociously racist things. Be the first to get the new app and get a chance to enjoy early bird discounts. Among French intellectuals, however, particularly those who study the Arab world, Sattouf is a more controversial figure. Quand je faisais le casting des Beaux Gosses, j’ai suggéré son nom pour la mère d’Aurore, sans croire que cela soit possible qu’elle daigne y porter le moindre intérêt. “The problem isn’t Sattouf, who has written a funny and sympathetic book. Riad Sattouf, for a decade the only cartoonist of Arab heritage at Charlie Hebdo, has tapped into French anxieties about Islam. Afghan couples downsize big fat weddings as coronavirus grips 1 / 2 The wedding industry in Kabul has been hit hard, putting thousands of jobs at risk and bleeding millions from the Afghan economy. “The Arab of the Future,” he said, gives the reader “the raw facts,” untainted by any “political discourse.” But Sattouf’s choice of facts is selective, and it would be hard to read “The Arab of the Future” as anything other than a bitter indictment of the pan-Arabist project that his father espoused. L’Arabe du futur, by Riad Sattouf. Sattouf looked riveted and took photographs. Let’s enter! In twee delen geeft de Franse tekenaar-schrijver (en filmer) een inkijkje in zijn eerste zes levensjaren die zich voornamelijk in het Libië van Khaddafi en het Syrië van Hafez al-Assad afspelen. In “The Arab of the Future,” his accommodation is nearly as heartbreaking as the killing itself. Riad Sattouf’s Jacky in the Kingdom of Women will receive its Canadian premiere as the opening film of this year’s Fantasia International Film Festival. And in this context arrived a book—humorous, humane—that all of a sudden gave the French the illusion of knowing a country.”, Sattouf himself seemed to want people to read as little into his work as possible and insisted that his project was to write about his childhood in a remote village, not about Syria, much less about the Arab world. As a teen-ager in Brittany, Sattouf spent almost all of his time in his room, drawing and reading comic books. Riad de Tarabel is a beautiful property located in the heart of the old medina of Marrakech, close to the famous Jemaa El Fna square and next to the Dar El Bacha Palace. Next Premium : Plongeon dans la galaxie Besson, “Cyberpunk 2077” : notre verdict sur le monstre. Klantenservice; Inloggen; Mijn wensenlijst; 0. When he saw me waiting for him outside the café, he said, “What, you didn’t enter? “Netanyahu, Abbas, all the heads of state, French people singing the ‘Marseillaise’: I think Cabu and the others would have been traumatized if they’d seen the demonstration—horrified, really. In the next volume of “The Arab of the Future,” Sattouf told me, he’ll be writing about an experience no less harrowing than his childhood in Ter Maaleh: his adolescence in France. Sattouf’s cartoon was a quiet reminder that there were French citizens—many of them Muslim—who were outraged by the massacre, without being sympathetic to Charlie. His mother and father—whom he calls Clémentine and Abdel-Razak, respectively, in his memoir—met in the early seventies in a cafeteria at the Sorbonne. A French graphic novelist’s shocking memoir of the Middle East. Because if The Arab of the Future is currently translated into 22 languages, his … I waited so long to tell this story partly because when I started to make comics I didn’t want to be the guy of Arab origin who makes comics about Arab people…I didn’t want to be the official Arab comics artist. “I’m fascinated by the desire that women have for stronger men—that’s where my sexual frustration came from,” Sattouf told me. Almost all of Sattouf’s work is drawn from firsthand observation. Riad Sattouf est auteur de bandes dessinées et réalisateur. In 2009 debuteerde hij als regisseur met de speelfilm Les beaux gosses, waarmee hij diverse prijzen in de wacht sleepte. Hij publiceerde met succes verschillende graphic novels en heeft een wekelijkse strip in het Franse satirische weekblad Charlie Hebdo. Switching to English, he added, “I’m weak, you know, I’m not virile! Een interview met een tekenaar die net als Kuifje naar de … The son of Abdel-Razak Sattouf was raised to become the Arab of the future; instead, he became a Frenchman with a “weird name.” That made him a misfit in France, but it also gave him the subject of a lifetime. Elle était allongée sur le canapé devant moi. In the second volume of “The Arab of the Future,” little Riad learns of her death while eavesdropping on a conversation between his parents. Filled with terrible people, youth who want to be "gangsta", couples who will NOT stop kissing each other in public, and adults who will stop at nothing to criticize their children, La vie secrete des jeunes is a compilation of the best and worst of French life. (The first volume is now being published here; in France, a second volume appeared in May.). We were met in the lobby by Stéphane Martin, the museum’s president, who is a long-standing admirer of Sattouf’s work and has commissioned him to produce a graphic novel about the museum for its tenth anniversary, next year. He said that his younger brother works as an engineer in Boulogne but that “you will never know anything else about him! In Paris, I kept running into people who had just read it, among them a former president of Doctors Without Borders, a young official in the foreign ministry who had worked throughout the Middle East, and an economist for the city of Paris. Inmiddels zijn er dan ook wereldwijd 1,5 miljoen exemplaren van verkocht! “The Arab of the Future” has, in effect, made him the Arab of the present in France. ... As an act of pity, Clémentine shows up for a rendez-vous with Abdel-Razak and soon they are a couple. Les alexandrins de François Morel pour la culture, Double dose de psychédélisme avec Kid Cudi et Tame Impala. The Syrian boys Sattouf met were like “little men,” intimidatingly fluent in the rhetoric of warfare. Clémentine took her sons to live in Brittany. Whenever he felt cornered by my questions, which was often, he would cross his arms and glare at me, in a parody of machismo. Pour nous, il a choisi les femmes qui ont compté dans sa vie. I asked him if he had a background in ethnography.